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 Press Release 11/01/2006 On Nov. 4,  2006, the Peabody Essex Museum opens Epic India: Paintings by M.F.  Husain––an  exhibition that focuses on the artist’s 40-year fascination with  India’s greatest epic, the  Mahabharata. The show runs through June 3, 2007, and is one of the few solo  exhibitions held in this country for the painter many consider to be  India’s “greatest living artist.†    The Mahabharata’s  “captivating narrative, flawed and troubled heroes, philosophical and moral  conundrums have been a force in the Indian subcontinent for more than 2,000  years,†writes curator Susan Bean in the exhibition catalogue. Maqbool Fida Husain was 56 years old when he first  painted from the Mahabharata in the early seventies, and already  enjoyed unrivaled celebrity as an artist in India with numerous awards, government  recognition, important exhibitions, and public art commissions. His  international stature was established during the previous decade with solo shows  in Frankfurt, Tokyo, Rome, Baghdad, Kabul, and New York. In 1971, Husain, published  in New York by Harry Abrams, became the first  international book on a living Indian artist.      Epic India: Paintings by M.F. Husain  brings together  works from projects in 1971, 1983, and 1990 revolving around the rich visual  imagery of the Mahabharata. At the center of the exhibition are seven  major canvases from Husain’s first Mahabharata project, a series of 29  paintings for the 11th Bienal de São Paulo. A set of 11 lithographs produced 12  years later from his watercolors shows Husain revisiting and reworking his  imagery for different eyes, according to Bean. A 16-foot canvas  from 1990 completes the installation, reconnecting Husain’s early years as a  cinema billboard artist where he established his great skill of painting  compelling imagery on large, expansive surfaces.    Wide, energetic brushwork brings to  life the stark monochromatic composition of Duryodhana Arjuna  Split (Mahabharata 9), Husain’s illustration of the battle  between right action and temptation–central to the Mahabharata epic.  Prominent in the painting are the broken halves of a circle. Husain represents  the complexity of the human condition through these divided parts that  nevertheless comprise a single whole. In Ganga Jamuna (Mahabharata  12), he splits the canvas again, accentuating the compositional break  of light and dark imagery with a luminous yellow column. Two figures are  positioned as the parts of a single being: one holds a ruptured red disk, the  other gestures at colliding warriors, a symbol of the terrible destruction to  come.    Husain’s  distinctive style expresses Indian tradition in the language of artistic  modernism. “Bold, vibrant depictions of India’s great guiding narratives, the  Mahabharata and the Ramayana, have been a means for Husain to  explore and confirm his Indian identity. His work goes beyond the simply  narrative to illustrate the Mahabharata’s larger truths and their  relevance today,†says Dan Monroe, director and CEO of the  Peabody Essex Museum.     Works in Epic  India: Paintings by M.F. Husain have been chosen primarily from the museum’s  Herwitz collection of contemporary Indian art.    The Peabody Essex Museum is pleased to present this  selection of paintings by one of India’s most influential contemporary  artists. Visitors will also enjoy Of Gods and Mortals: Traditional Art from  India, an ongoing exhibition featured in the museum’s newly expanded  Prashant H. Fadia Foundation and Deshpande Foundation Gallery of traditional  Indian art. The two exhibitions give viewers the opportunity to experience  Indian art from the 1800s to the present.         The Chester and  Davida Herwitz Collection   The Peabody Essex Museum has been a  pioneer in the study and presentation of Indian art in the United States.  Shortly after its founding in 1799, the museum began collecting contemporary art  and culture from India. Today, its holdings include thousands of works from  India, from the  18th through the 20th centuries, including paintings and drawings; works in  clay, wood, and metal; embroideries; furniture; and a large collection of 19th-  century photographs. The collection also contains important logs, journals, and  letters recounting 18th- and 19th-century voyages to India.     About the Peabody Essex  Museum The recently  transformed Peabody Essex Museum presents art and culture from New England and  around the world. The museum's collections are among the finest of their kind,  showcasing an unrivaled spectrum of American art and architecture (including  four National Historic Landmark buildings) and outstanding Asian, Asian Export,  Native American,  African, Oceanic, Maritime, and Photography collections. In addition to its vast  collections, the museum offers a vibrant schedule of changing exhibitions and a  hands-on education center. The museum campus features numerous parks, period   gardens, and 24  historic properties, including Yin Yu Tang, a 200-year-old house that  is the only example  of Chinese domestic architecture in the United States. The Peabody Essex Museum  is open daily, 10 a.m. to 5 p.m. The museum is closed Thanksgiving, Christmas,  and New Year's Day. General museum admission: Adults $13; seniors $11; students  $9. Additional admission to Yin Yu Tang: $4. Members, youth 16 and under, and  residents of Salem enjoy free general admission and free admission to Yin Yu  Tang. Location: East India Square, Salem, MA 01970. Call 866-745-1876 or visit  our Web site at www.pem.org.    | You may also access this article through our web-site http://www.lokvani.com/ |  | ||
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