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Shadaj: Siddhartha Belmannu - Live In Concert

Press Release
08/21/2025

Siddhartha Belmannu : Live In Concert
(Hindustani Classical Vocal)

A Shadaj Baithak Event

Siddhartha Belmannu (Vocal)
with
Roopak Kallurkar (Tabla), Prasad Kamat (Harmonium)
 
A Shadaj Baithak event
supported by Mass Cultural Council

Music Appreciation Session
When: Friday, September 19  2025, 8 pm - 10 pm
Venue: 6 Tewksbury St, Lexington, MA 02421
Tickets: FREE for members (Become a Shadaj Member!)

Concert
When: Saturday, September 20 2025, 5 pm - 8 pm
Venue: Pilgrim Congregational Church, 55 Coolidge Avenue, Lexington, MA 02421
Tickets: $30, FREE for members (Become a Shadaj Member!)


Notes:

· Please allow sufficient time to park, register and to be seated 15 mins before the start time.

· Members need to RSVP by sending an email to tickets@shadaj.org and arrive at least 15 minutes before the start time to secure a seat as concerts often get oversubscribed.

· Entry and seating is not guaranteed for late arrivals.

 
Information:
tickets@shadaj.org
Ketki Purandare Limaye: 716-907-2084
Milind Ranade: 409-201-7110


Siddhartha Belmannu is a distinguished Indian classical vocalist renowned for his mastery in both Carnatic and Hindustani music traditions. His musical journey commenced under the guidance of his parents, Usha and Prasad Belmannu. Initially trained in Carnatic classical music, Siddhartha later transitioned to Hindustani classical music, studying under Sri P. R. Manjunath. He further refined his artistry under the tutelage of Pandit Vinayak Torvi, a stalwart of the Gwalior and Kirana gharanas, with whom he has been rigorously training in the Gurukul system for over 13 years.

Roopak Kallurkar is a distinguished tabla player, deeply rooted in the Farrukhabad gharana. Commencing his musical journey at the tender age of five under the tutelage of his father and guru, Dr. Pt. Rajgopal Kallurkar, he has also mastered techniques from other gharanas, enriching his versatility. Roopak's playing style is marked by intricate rhythmic patterns and a profound understanding of laya (tempo), allowing him to excel in both solo performances and as an accompanist to vocalists and Kathak dancers.



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